I agree with Saltz when he says, “Dishearteningly,
many critics have ideas but no eye. They rarely work outside of their comfort
zone… ”. (¶ 3). He seems to think, that critics
writing about Art take a comfortable approach towards criticism and aren’t challenging
themselves. I think if an artist pours his heart and soul into his work, so
should the critic. However, if an artist does not give their work all they
could it’s still up to the critic to let the readers know.
When it comes to works of art that can stand the test of time
we go back in time to, Ancient Egypt, Old
Kingdom Era to be exact. Since the pyramids have been around for thousands
of years there have been countless critically written papers on them. While
doing a class project I read some of what 21st century writes had to
say about the Egyptian architecture of the Old
Kingdom Era. Most of what I read just gave facts about the pyramids like,
who, what, when, where and why. It didn't look to me like much mention was
giving about the soul of the work, by the critics.
Saltz believes, “Art is a way of thinking, a way of knowing
yourself.” (¶ 4). I think he’s right and If more critics of Ancient Egyptian
art and Art critics in general wrote from their soul their words would be more persuasive.
Who knows maybe they can breathe new life into the study of Art. Someone
reading an art column might start research of their own because of inspiration.
We see that inspiration, skill, love of work and a great eye
are things needed by not only the artist but also by the art critic. I’m sure
that after reading this article by Saltz I’ll find myself not only looking at
the work of art. I’ll be checking as to how
the work is being criticized because they go hand and hand. Trying to make the viewer
understand not only what they are being told to see but what they feel is difficult.
It’s only a seasoned Artist and a seasoned critic that can make it look easy.
Charles Burchfield
"Landscape with rain"
1917
Works cited:
Adams, Laurie. A History of Western Art. 5th ed. New York: McGraw-Hill, 2011. Print.
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